| 1 | MATERIAL INFORMATION and DESCRIPTIONS.
Sketch Work. |
| 2 | POINT, LINE - DIRECTION - PLANE Knowledge and Applications. |
| 3 | FORMAT. Principles of Linear Expression, Creating a Surface from Growing-Shrinking, Thinner-Thickening, Tightening-Sparsing Lines, Optical Movements and Depth Perception. (Gestalt)
SUBMISSION OF PREPARATION WORKS - (Preliminary Research)
PRESENTATION AND OPEN CRITICISM MEETING (4.a) |
| 4 | 3D EFFECT IN THE VISUAL FIELD.
LINE TYPES (Straight, Curved)
Spot, Space Perception in Surface Relationship. |
| 5 | BASIC SHAPES.
Features, Creating Composition with Addition-Reduction Methods. |
| 6 | MEASUREMENT, RANGE, GOLDEN RATIO.
(Using the Golden Ratio in Composition) |
| 7 | TONE-VALUE Concepts, LIGHT-SHADOW, Black-Grey-White, Dark-Medium-Light and Volume Concepts and 3-Way Value, 9-Way Value Applications. Light-Shadow, Light-Dark Applications on the Cube.
MIDTERM SUBMISSION BEFORE THE MIDTERM EXAM PERIOD, 1ST MID SUBMISSION-
PRESENTATION AND OPEN CRITICISM MEETING (4.b and 4.h)
SKETCH WORK BEFORE THE MIDTERM EXAM PERIOD, 1ST SKETCH (4.c) |
| 8 | MIDTERM EXAM WEEK |
| 9 | TONATION AND OBJECT-FORM ANALYSIS.
(Intricate Mechanical Formations, Alienation) Object Study. |
| 10 | Texture. Organic and Inorganic Texture Studies. |
| 11 | Texture.
Texture Abstraction Applications. Monochrome (Black & White) and Color.
Differentiation |
| 12 | PRINCIPLE OF SUITABILITY IN DESIGN.
(Space, Tone, Measure, Texture, Shape, Direction.) |
| 13 | FIGURE & GROUND DESCRIPTIONS.
Color and Surface Sampling.
INTERMEDIATE SUBMISSION BEFORE THE FINAL EXAM PERIOD, 2ND INTERMEDIATE SUBMISSION-
PRESENTATION and OPEN CRITICISM MEETING (4.d and 4.h)
SKETCH WORK BEFORE THE FINAL EXAM PERIOD, 1ST SKETCH (4.e) |
| 14 | FIGURE AND GROUND DESCRIPTIONS.
DEPTH. Black & White, 2D and 3D Application.
FINAL EXAM PERIOD SUBMISSION, FINAL SUBMISSION (4.f) |
