Akademik Yayınlar

-Sabancı Uzun., Gamze. “'Sen De Oradaydın': Pat Barker'ın Toby'nin Odası Adlı Romanındaki Ensest'in Yarattığı Haz Ve Korku.” Çağdaş Gotik Okumalar, Kriter Yayınları, 2022, pp. 1–16. 

-SABANCI UZUN, G. (2022). Latite Tekin'in Sevgili Arsız Ölüm Kitabında Göç İle Gelen Özerklik. RumeliDE Dil Ve Edebiyat Araştırmaları Dergisihttps://doi.org/10.29000/rumelide.1164907

Sabancı Uzun, G. (2019). Mcgrath’ın the Wardrobe Mistress adlı romanında anti-semitizmin tasviri. RumeliDE Dil Ve Edebiyat Araştırmaları Dergisi, 302. https://doi.org/10.29000/rumelide.648897

SABANCI UZUN, G. (2019). ’Paradoxical Doubleness  in Elie Wiesel s Night. Mediterranean Journal of Humanities9(2), 453–463. https://doi.org/10.13114/mjh.2019.501

Sabancı Uzun, G. (2018). AN OBJECT RELATIONS PERSPECTIVE ON IAN McEWAN’S ATONEMENT: BRIONY’S CREATIVE APPERCEPTION IN LIGHT OF ATTACHMENT THEORY GENRE, AND NARRATIVE FORM. Trakya Üniversitesi Sosyal Bilimler Dergisi, 253–266. https://doi.org/10.26468/trakyasobed.437687

SABANCI UZUN, G. (2018). “SONSUZA KADAR MUTLU YAŞADILAR, TARİHE DEĞİL, MASALA AİT BİR KAVRAMDIR”: JANE YOLEN’IN MASAL YOLU İLE HOLOKOST ANLATIMI. International Journal of Language Academy6(24), 252–262. https://doi.org/10.18033/ijla.3975

Alban, G. M. E. (2017). The Medusa Gaze in Contemporary Womens Fiction (1st ed.). Cambridge Scholars Publishing.

- Sabanci, G. (2014). From sissy to man: performance as a process of becoming in The Talented Mr. Ripley. Interactions, 23(1-2), 219+. https://link.gale.com/apps/doc/A363103649/AONE?u=anon~20ed6e3d&sid=googleScholar&xid=2bd033c4

- Sabancı, G. (2012). Mourning , Melancholia and Narcissistic Depression in Edgar Allan Poe's "Ligeia" . Litera: Journal of Language, Literature and Culture Studies , 22 (2) , 75-86 . Retrieved from https://dergipark.org.tr/en/pub/iulitera/issue/1238/14532
Sabanci, G. (2010). Charlotte Perkins Gilman’s Short Stories as Social Criticism: Conflicts and Contradictions in a Nineteenth-Century Author. Amsterdam University Press.

Sabanci, G. (2009). Charlotte Perkins Gilman’s Re-Creation of Masculinity. Epiphany2(2). https://doi.org/10.21533/epiphany.v2i2.10

Arıbaş, D. E., & Cele, F. (2019). Acquisition of articles in L2 and L3 English: the influence of L2 proficiency on positive transfer from L2 to L3. Journal of Multilingual and Multicultural Development42(1), 19–36. https://doi.org/10.1080/01434632.2019.1667364

Doski, P. M., & Cele, F. (2018). The Effect of Oral Corrective Feedback on Article Errors in L3 English: Prompts vs. Recasts. English Language Teaching11(8), 143. https://doi.org/10.5539/elt.v11n8p143

Öktem, Z. (2020). ‘We know little of the king’s fair daughter, Claribel’: The Challenge of Islam inThe TempestEnglish Studies in Africa63(2), 36–47. https://doi.org/10.1080/00138398.2020.1852688

Öktem, Z. (2019). Re-Orienting Gender and Islamic Alterity in Early Modern English Drama. English Studies100(2), 133–148. https://doi.org/10.1080/0013838x.2018.1555980

- Oktem, O. (2016). "Furies of hell" in the "paradise of women": women in early modern England. Interactions, 25(1-2), 125+. https://link.gale.com/apps/doc/A443888709/AONE?u=anon~d627b896&sid=googleScholar&xid=47abeeeb
- Ibrahim, J. & Alızadeh Tabrızı, S. (2021). Reconfiguring the Android in “The Electric Ant” by Philip K. Dick . International Journal of Media Culture and Literature , 7 (2) , 169-188 . Retrieved from https://dergipark.org.tr/en/pub/ijmcl/issue/69276/996179
- Tabrizi, Sanaz Alizadeh, and Robab Khosravi. "A Bakhtinian perspective on the nineteenth century chronotope: Charlotte Bronte's Jane Eyre as a chronotopic counterpart for Gustave Flaubert's Madame Bovary." Theory and Practice in Language Studies, vol. 5, no. 9, Sept. 2015, pp. 1945+. Gale Literature Resource Center, link.gale.com/apps/doc/A446734692/LitRC?u=anon~39f05c3b&sid=googleScholar&xid=6da7c520. Accessed 4 Nov. 2022.
Aryan, A. (2021). Fiction as Therapy. Exchanges: The Interdisciplinary Research Journal9(1), 107–123. https://doi.org/10.31273/eirj.v9i1.428

- Aryan, A. (2019). The Late Style of Borges, Beckett, and Coetzee as Postmodernist Cynics. Journal of Modern Literature, 42(4), 192+. https://link.gale.com/apps/doc/A616448160/LitRC?u=anon~c945560f&sid=googleScholar&xid=66187c81
- Aryan, A., & Helali, Z. (2012). Animal Imagery in Jose Saramago's Blindness.
Aryan, A. (2022). The Postmodern Representation of Reality in Peter Ackroyd’s Chatterton (1st ed.). Cambridge Scholars Publishing.

Dağoğlu, T. (2017). FRAME-BREAKING AND GOD-LIKE HEROES VERSUS SOCIETY IN MEMED, MY HAWK AND THE ILIAD. Humanities and Social Sciences Review, 242–252. http://www.universitypublications.net/hssr/0801/html/R7ME97.xml

 - Benli, D., Öztürk, F., Çameli, M. M. & Dağoğlu, T. (2021). Charlie’nin Çikolata Fabrikası Kitap ve Filminin Yeniden Yazım ve Yerelleştirme Bağlamında Analizi. USBAD Uluslararası Sosyal Bilimler Akademi Dergisi 3(6), 940-964. 

Çameli, M. M. (2015). The Role of Varying Viewpoints of Readers in Examining A Novel: A Study on Reader-Response Approach and Personal Construct Theory. International Journal of Language Academy, 3/4(6), 43–50. http://dx.doi.org/10.18033/ijla.328

- Yılmaz, S. (2019). “THE SEARCH FOR ORIGINS STOP HERE”: REPRESENTING JEANETTE WINTERSON’S POSTHUMANIST WORLD IN THE POWERBOOK . Kesit Akademi Dergisi , (20) , 171-180 . Retrieved from https://dergipark.org.tr/en/pub/kesitakademi/issue/59818/863733


güncelleme: 4.1.2023 15:10